Paint • Stitch • in progress 2

In the early morning listening to Radio 4 the news all seems to be bad. My most recent piece is called Some things never change. The need to make this work was triggered by an interview with a mother telling the reporter of the fate of her children aged 12,10 and 5 , killed by mortar fire in a war that was not hers. As a mother myself the interview deeply affected me. I have never been a particularly political person but I feel the need to speak out, in my own way, about the victims of these senseless conflicts. Born in 1913 my Dad was a child of the 1st World war, the so called the war to end war and I have used his image, along that of his siblings, as a mechanism to portray the plight of children still caught up in war in 2012. Thousands of kisses cover a concrete pillar for those who will never receive them. The images are of the work in progress.



62@50

The 62 Group of Textile Artists, of which I am an exhibiting member, celebrate their 50th anniversary this year. Their largest exhibition of this celebratory year, 62 @50 opens tomorrow at the Holden Gallery in Manchester with the majority of the exhibiting members represented. I have had three pieces selected for the show and am looking forward with anticipation to seeing what other members have produced when I visit the gallery later this week. I am also looking forward to meeting visitors to the exhibition on 2nd and 3rd August when I will be stewarding. Find more information about this exhibition and my work for the show on my website : www.womanwithafish.com

one 3 pieces selected for 62@50

Grayson Perry • The Vanity of Small Differences

My visit to the Victoria Miro Gallery did not get off to the best of starts. I began by taking a wrong turn down City Road out of Old St tube. Having walked to its end at no 1 the realization suddenly dawned that I was going to have to retrace my steps back to the station and start again. This time going in the opposite direction!

I eventually arrived at my destination a little footsore but with great anticipation. I was not disappointed. The gallery is set in a Victorian building with my destination,  a large white cube extension on the roof. The daunting number of steps which have to be climbed to get to the roof extension should not put you off. It’s well worth the climb. On reaching the top there is a beautifully landscaped terrace to cross before arriving at the gallery extension itself which gives you a fantastic view over London’s East End.

Image The Vanity of Small Differences tapestries by Grayson Perry, which I had made the journey from Grimsby to see, are both powerful and perceptive and the scale is impressive. His use of colour is sublime. I loved the humour within pieces which explore taste and class. There are six of them in total displayed in this modestly sized gallery along with five of Grayson Perry’s ceramic pots as a bonus. As I perused the work I found myself wondering what it would actually cost to produce a 4 metre x 2 metre tapestry !

Image

Based on Hogarth’s 18th-century narrative paintings Rakes Progress which tell the tale of Tom Rakewell, as he rises from working-class obscurity to greatness – and then falls again, the images are full of references to brands, to celebrity,and to religious paintings. Perry’s hero is Tim Rakewell , born to a working class family, he goes to University, and journeying up through the Middle classes he ends up as a multimillionaire who comes to a tragic end in a car crash.Looking at my watch I was amazed to find that an exhibition with only eleven pieces of work in it had kept my attention for over ninety minutes.Well worth a visit.

Grayson Perry’s new tapestries are at Victoria Miro Gallery, London N1 from 7 June to 11 August.

The accompanying TV series  All in the Best Possible Taste can be seen on 4oD.

Stitch • Paint • In Progress

 I decided I was getting a bit set in my way of working and becoming a bit formulaic! 

Time to experiment and take a slightly different direction. More of a development than a radical change but nevertheless a new challenge.

I have worked in mixed media before with varying degrees of success using photography and stitch and also weaving and stitch but this time I am combining paint with stitch.

Stitch is still very much the dominant discipline but in my new pieces, the paint , whilst bringing a new dimension is fully integrated with the stitch.

Offerings @ Collect


I finally made it to Collect yesterday and there was a treat in store for me in the Project Space. I have been following Lucy Brown’s progress with Offerings on her blog and her work at Collect did not disappoint. The grey ribbon warp works really well within the space and there are little gems of intricate woven fabrics and flashes of coral to catch the eye. The show runs until Monday 14th May so do get down there if you can. 
See more of Lucy’s work at Unravelling Nymens

Looking for Lace in Bruges

Apostelientje

Balstraat11. 8000, Brugge

On a recent trip to Bruges I came across this fascinating gem of a lace shop tucked away in the Saint Anne quarter, behind the church.The shop has its own special way of displaying its stock which goes to create a unique atmosphere.
Selling only hand made lace it is packed full of an eclectic mix of beautiful lace, both antique and contemporary. They also sell lace making materials of all kinds, cotton, linen,silk, bobbins, and embroidery patterns and can provide expert knowledge of there wares.
If you are in Bruges and want to see some good quality hand made lace, do go to this shop. It’s well worth a visit.

Interventions Exhibition, Platt Hall Manchester

On a dull, drizzly day in February I visited  Interventions,the first exhibition of the 62 group’s 50th Anniversary year at Platt Hall, Manchester which runs until 19 May 2012.
The Gallery of Costume is housed in an imposing Grade 2* Georgian building set within
Platt Fields Park and I was looking forward to seeing how other members had responded to the Museum’s Collection. 
26 members of the group are represented in the exhibition and the work shown covers the 
whole gamut of disciplines. 
The main exhibition space is small but beautifully curated. The contrasting styles of work 
sit well together and give a glimpse into the ethos of the group.

The juxtaposition of Jeanette Appleton’s Dressed to Dine, a beautiful life size felted china 

collection, the contrast of hard and soft reminiscent of the work of Claus Oldenberg, and the cast concrete of Ann Goddard’s impressive piece Secret Support ( Extra Firm Hold) was sublime. 

images below : top : Jeanette Appleton : Dressed to Dine/ bottom: Ann Goddard ; Secret Support (extra firm hold)


Quite a few members used construction: of cloth, of paper patterns, of garments, of lace and of undergarments, as a starting point for their work whilst others found inspiration in the Museum’s Accessories Collection. Boots & shoes, hats, baby bonnets, bags, parasols, and neckties were all represented as was the Museum’s fascinating Button collection. 
A number of members used collected and/ or recycled clothing to give a more personal 
and autobiographical response. 
All in all I thought it was a great start to the year for the group.

Don’t forget you can buy the new 62 Group book RADICAL THREAD which showcases and celebrates 50 years of the group at www.62group.org

A Good Read

What a stimulating day it was yesterday. First my copy of the new 62 Group book RADICALTHREAD dropped through the letterbox, closely followed by my copy of SELVEDGE magazine. Nether disappointed me.
Audrey Walker MBE, Alice Kettle, Jan Beaney and Jean Littlejohn, and Tilleke Schwarz are all in the RADICALTHREAD book which profiles 57 current members of the 62 group, including myself and gives an insight into the innovation and the creativity of the group which celebrates its 50th anniversary this year.My piece Family with Fish is featured on page 112.

I spent last night reading it and I can tell you it is a great read. Let me know YOUR thoughts on the book.

SELVEDGE magazine is an equally good read this month. My favourite article is written by June Hill and is called Strong Influence. It outlines the influence a good teacher has on their student. It was of particular interest to me as I was lucky enough to have been taught at Goldsmiths by Constance Howard, Christine Risley and Eirian Short who are featured in the article alongside Audrey Walker and Alice Kettle who are fellow members of the 62 group.
There is also a great article called Thouroughly Modern Mode which champions the allure of demure clothing.This definitely appeals to me. I gave up exposing any body parts in public years ago!

62 Group of Textile Artists 50th Anniversary Year

Well the new year has started with a bang and the first 62 group exhibition of this, our 50th 

anniversary year starts on 11 January at the Gallery of Costume, Platt Hall, Rusholme, 

Manchester M14 5LL.


My new work A Lot can Happen in 50 Years (image below) can be seen in the exhibition which 

runs until 19 May 2012. More information about this work can be found on my website.

The new year also sees the publication of the new 62 Group book 

RADICAL THREAD • see a preview of the book • order the book