Category Archives: Education

Join Sue Stone’s Weekend Workshop in Cardiff

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I am delighted to announce that tickets are now on sale for my weekend workshop ‘People & their Stories‘. It will take place on 26 & 27 April 2025 at Beth Morris Workshops in Cardiff.

Spaces are limited so please sign up now to secure your place. I am looking forward to meeting you in Cardiff next Spring!

  • Displaced small portrait of a young boy
  • Portrait of the artist's Mum as a young girl
  • Grimsby Girls World Tour - Copenhagen
  • Experimental self portrait - hand and machine stitch with appliqué
  • Hand stitch portrait of an older lady

About the weekend workshop


This 2 day workshop, ‘People & their Stories’ will introduce you to creating illustrative, stitched portraits using hand stitch and appliqué.

My teaching style is one of individual, personal tuition throughout the workshop. I will start by guiding you through the straightforward techniques that I use in my work.

I will also bring a collection of my small works and personal samples. You can use them as inspiration for your own work.

The workshop is suitable for all abilities and will include:

  • How to transform your own drawings or photos into a starting point for a stitched piece
  • How to get started using uncomplicated techniques of image transfer to fabric
  • Drawing with simple stitches, like back stitch and running stitch
  • Using sampling to help decide on techniques and designs
  • Exploring appliqué techniques
  • How to add simple background details like text to help tell your subject’s story.

By the end of the workshop, you’ll have begun a small portrait to continue at home. You will also be equipped with skills to develop your own figurative work further.

Your portrait can be of a real or imaginary person. They can be known or unknown to you. Each picture has its own story to tell.

More Information

Pre-Workshop Preparation

Materials and fabrics will be provided but please feel free to bring some of your own favourite fabrics and threads. This will give you a deeper connection to your work.

The aim of the workshop is for you to produce work that is personal to you. It’s also helpful if you choose colours that love and which suit your starting image.

Please bring a choice of your own drawings or photographs to use as inspiration. I will send you some guidelines for selecting and adapting suitable images before the workshop.

Important: If you are a beginner, you should choose a simple starting photograph or drawing like those shown below.

About Sue Stone

My work is inspired by people and places. I’m best known for textural, figurative work which tells a story. My emphasis is on hand embroidery, often mixed with machine stitch, appliqué, and paint.

I have exhibited my work widely throughout the UK and Europe. I have also exhibited in Australia, Japan, Pakistan, and the USA.

I have taught ‘in person’ workshops throughout the UK, and in France, USA and Canada. I also teach online courses for textileartist.org which is run by my two sons Joe & Sam Pitcher.

Don’t forget to add these dates to your diary!

The workshop will take place on 26 & 27 April 2025 at Beth Morris Workshops in Cardiff.

Sign up now to secure your place on my ‘People and Their Stories’ weekend workshop.

I am looking forward to meeting you in Cardiff next Spring!

Experimental self portrait - hand and machine stitch with appliqué

62 Group’s 62nd Anniversary: My Works at Salts Mill

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Discover my works “Coalescence’ and ‘Integrated’ at the 62 Group’s ‘Making as Learning’ exhibition. Read more about the 62 Group I’d love you to visit the exhibition in person to see the amazing work of the 62 Group members.

This wonderful exhibition is taking place in the roof space at the historic Salts Mill in Saltaire, near Bradford, Uk. It runs from 8th September to 3rd November 2024.

‘Making as Learning’ is an exciting exploration of how the creative process itself can be a journey of learning. I’m thrilled to be showcasing my work in such a remarkable space. Salts Mill is open from 11am-4pm, Wednesday to Sunday. Read more about Salts Mill

For this exhibition, I’ve created two double-sided pieces ‘Coalescence’ and ‘Integrated’. The work establishes a dialogue between the visible and hidden aspects of the composition. This dialogue transforms the making process into a voyage of discovery.

Coalescence

Coalescence - double sided hanging - hand and machine stitch: appliqué
Detail of 'Coalescence showing free machine stitching, block printing, couching,, 'mock' herringbone, and back stitch.
Detail of 'Coalescence showing small portraits made as teaching samples, strip weaving. hand and machine stitch and acrylic painting.
Detail of 'Coalescence' showing small portrait and character sketches made as teaching samples and studies for larger works.
Detail of 'Coalescence' showing block printing, and appliqué made as a study for my work 'From Grimsby to Greenpoint' made in 2018.
Detail of 'Coalescence showing small character studies made for my online course for Textileartist.org in 2022.
Detail of the back of my 'Coalescence' double sided hanging for the 62 Group exhibition 'Making as Learning'
Detail of the back of my 'Coalescence' double sided hanging for the 62 Group exhibition 'Making as Learning' hand and machine stitch.

This work is a construction of teaching samples and studies for completed pieces. It showcases a diverse range of techniques and explorations. Each piece is distinguished by additional stitching. This stitching leaves a distinctive footprint on the back, adding a unique element to the artwork’s structure.

By including self-portraits, I pay tribute to the late Audrey Walker; artist, and educator. Audrey was a former 62 Group honorary exhibiting member who was known for her stitched portraiture and still life compositions.

This homage highlights the inspiration drawn from Audrey’s legacy and influence. It also calls attention to the personal and introspective nature of artistic expression. The blend of teaching, experimentation, and tribute really encapsulates my creative journey.

Materials: Linen, recycled clothing , cotton thread, wool yarn, paint, InkTense pencil
Techniques: Hand and machine stitching, appliqué, painting, waterproofing, fabric weaving

Size 63 x 182 x 2 cms – double sided hanging

Integrated

'Integrated' is a double sided hanging made for the 62 group exhibition at Salts Mill, Bradford in 2024. It consists of digital prints of work I have exhibited during my time as a member of the 62 Group of Textile Artists.
Detail of 'Integrated' my work for the 62 group exhibition 'Making as Learning' at Salts Mill , Bradford, Uk in 2024. Digital print with additional hand and machine stitching.
Detail of 'Integrated' my work for the 62 group exhibition 'Making as Learning' at Salts Mill , Bradford, Uk in 2024. Digital print with additional hand and machine stitching.
Detail of the back of 'Integrated' my work for the 62 group exhibition 'Making as Learning' at Salts Mill , Bradford, Uk in 2024. Digital print with additional hand and machine stitching. This work is suspended so both sides can be viewed.

This work consists of digital prints of finished pieces that have been showcased in 62 Group exhibitions. This artwork is uniquely marked by additional hand and machine stitching, visible as a distinctive footprint on the back.

This stitching not only adds texture and depth but also symbolises my commitment to blending modern and traditional techniques in my creative process. The integration of these elements highlights my approach to contemporary art, creating a dialogue between the visible and hidden aspects of my work, and inviting viewers to explore the layers of meaning within each piece.

Materials: Digitally printed waterproof fabric, Cotton threads, linen fabric
Techniques: Digital printing, appliqué, hand and machine stitching

Size 63 x 182 x 2 cms

A footnote: I waterproofed both pieces of work because the roof in the roof space leaks! It’s good to be prepared for all eventualities!

What is a Portrait?

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People and Their Stories 

Sunday May 26 to Saturday June 1 2024

Hudson River Valley Workshops, USA

The aim of this workshop is to encourage exploration and experimentation and to question what we really mean by portrait.

We usually think of a portrait as an artistic representation which captures the likeness of a person but even more important is to capture their personality and tell their story and in the case of a portrait of more than one person to capture the interaction or lack of interaction between them.

I’d love you to join me in the USA and have fun telling your stories with needle and thread.

 For more information & enrolment please go to: https://www.artworkshops.com/workshop/people-and-their-stories-with-sue-stone/

Retrospective – an archive of work made in 2022

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A Grimsby Girl’s World Tour version 1 30 x 30 cms & version 2 • 33 x 28 cms

Version 1 was shown at the Uk Knitting & Stitching shows in the 62 Group of Textile Artists Essence exhibition celebrating the 60th anniversary of the Group.

These are very poignant pieces which capture the essence of my creative practice: textural stitch, appliqué and paint combine to create the allusion of a journey to another place and time. It is a poignant work depicting the visit of grandmother to a grandson she never met. He was born 3 weeks after she died. The Grimsby girl, my Mum, Muriel is shown as a child in this piece. She never had the opportunity to travel outside the UK in her lifetime; here she travels to Copenhagen where her grandson, Sam currently lives with his wife, Eliana.

A Step into the Unknown 2022 – revamped version • mixed media • 74 x 52 cms

Lost in a Strange World 2022 • mixed media – 74 x 52 cms

A selection of samples made for my Cast of Characters workshop for Textileartist.org

A selection of samples made for my Off the Grid workshop for Textileartist.org

Do you have a story to tell in stitch?

Fancy joining me in April 2023 at Hudson River Valley Workshops, in New York State, USA? 

Dates: Sunday 16 April to Saturday 22 April 2023

This experimental workshop will focus on combining several images to create a real or imagined journey. The aim of the workshop is to encourage exploration and experimentation to capture the spirit of the journey and the people, real or imagined, who will accompany you on that journey.

Here’s the concept behind the ‘Journey Through Time’ workshop

Brooklyn:Recollection, Return & Repartee 2021

Your journey could take the form of a Travelogue as in my USA Travelogue work Brooklyn: ‘Recollection, Return & Repartee’ (above) or it could take the form of a journey through life by incorporating more than one image of a specific person as in ‘My Portrait of a Grimsby Girl.’ (below)

Portrait of a Grimsby Girl 2014

You could push your imagination and take a real person on an imagined journey. In ‘A Grimsby Girl’s World Tour’ series I take my Mum to places she was never able to visit but that I think she would have loved.

A Grimsby Girl’s World Tour – Copenhagen

Or ask ‘What if?’ And make a portrait of yourself or of your chosen person in another time or place . 

Enjoy historical details by asking ‘What if I visited the Tudor period?’ or a different culture by asking ‘What if I could go to Japan? ‘A Grimsby Girl’s World Tour – Tokyo’. Or simply ask what if I take some 1930s Grimsby Girls to modern day London as in ‘RIP Grimsby St E2’ as in RIP Grimsby St E2 which is set in the east End of London.

A Grimsby Girl’s World Tour – Tokyo
RIP Grimsby St E2

This is primarily a hand/machine stitch workshop but you will have the option to focus entirely on hand stitch, or machine stitch, choose to combine both techniques or add appliqué and mixed media.

The techniques used in this workshop are suitable for all abilities.

You are asked to bring a selection of drawings or photographs, text or anecdotes you wish to include or use as personal inspiration for your work. A full guide to choosing suitable images to work from will be sent out in advance of the workshop.

Enrolment is now open for my 5 day narrative workshop.

I look forward to meeting you in the USA!

https://www.artworkshops.com/workshop/4210/

Shift : A change in direction.
Allusion: A suggestion or hint that calls something to mind without mentioning it.

Sue Stone Solo Exhibition ‘ Shifts & Allusions’ 2023

Venue: The Hub, Navigation Wharf, Carre Street, Sleaford, Lincolnshire, NG34 7TW 

formerly the National Centre for Craft and Design

Exhibition runs from14 January to 12th March 2023 in the ground floor gallery.


I have been busy sorting out the work to show in my Shifts & Allusions exhibition and in this exhibition I will be inviting you to find the stories behind my compositions and work out for yourself what they mean.

Most of my work contains a nod to my Grimsby heritage. The fish has become my signature and it often appears somewhere in my work. This exhibition includes a selection of larger narrative works made between 2013 and 2022, some of which haven’t been shown before. They are shown alongside some new smaller studies and a selection of tactile handling samples which show some of the techniques I have used in the finished pieces.

I will be giving a gallery talk at 2pm on Sat 18 February 2023 and a teaching a one day workshop at the Hub on Sunday 19 February

‘A Focus on Faces • an introduction to illustrative portraits

Ebb & Flow • Behind the Scenes

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image of Portrait of a Grimsby Girl

Portrait of a Grimsby Girl

The opening of the 62 Group Ebb & Flow exhibition is getting closer but the project itself has been almost two years in the planning. 

It started with an invitation from Grimsby Minster to show our work in the Minster which is a busy and vibrant resource for the people of North East Lincolnshire, an “architectural gem” tracing its history on this site for more than 900 years. I soon realised, however, that because we are such a large group of very diverse artists that there would not be enough suitable hanging space and display for smaller 3D work in the Minster for all of our work to be shown.

A second venue was sort and we were offered the upper floor, the mezzanine, of the Muriel Barker Gallery at the Fishing Heritage Centre in Grimsby. The Grimsby Fishing Heritage Centre was purpose built and opened in 1991. Its permanent exhibition tells the story of the Grimsby Fishing Industry in its heyday in the1950s. The white-walled space at the Fishing Heritage Centre contrasts nicely with the grandeur of the Minster.

image of All at Sea

Lucy Brown
All at Sea

The Ross Tiger, GY398, is an ex-working 1950’s trawler and the largest item in the heritage collections. Lucy Brown, one of our exhibiting members has made site specific work to be shown on board the Tiger. The image left shows Lucy’s ‘sea bags’ which will be installed around the living quarters on the Tiger. Once the venues were in place we worked on the detail of the project and funding bid to Arts Council England by Grimsby Minster which was successful. This enabled us to work with freelance writer and curator, June Hill who has been on hand to advise the group throughout the project and who will be opening the exhibition on 13th September. It also helped the group to put together a full education programme and to produce a full colour catalogue with professional photography which will be on sale at both venues.

Details of our education programme can be found here. Many of our members visited Grimsby in February when we were given a tour of both venues and of the museum collections store. All of our exhibitions are selected by a selection panel of 5. The panel is different for each exhibition and can include a representative from the venue. The selection process has now been completed and 37 pieces of work were selected for the exhibition made by 28 artists.

Photography

Photography Day at the Minster

This week we also completed the photography for the catalogue which is now in the design stages. The catalogue will be on sale at both venues.

The photographer for the majority of the pieces is David Ramkalawon who came to Grimsby from London for 2 days to photograph work at both venues.

The snap left shows David photographing work in Grimsby Minster. 

Next week the hanging process begins. Watch this space for more ‘behind the scenes’ glimpses of Ebb & Flow.