Tag Archives: sue stone

Georgie Meadows : Stitched Drawings at the Wellcome Trust

 

I have just come across this exhibition at the Wellcome Trust by Georgie Meadows who is a Monmouth based artist and occupational therapist. The exhibition explores personal experiences of ageing and dementia. The stitched portraits are of people she knows or has cared for. It looks really interesting. Wish I was able to get there. More info at:

http://www.wellcomecollection.org/whats-on/exhibitions/georgie-meadows.aspx

For some reason none of the links to this exhibition from the Wellcome Collection site will work from this blog but if you paste the address or Google Georgie Meadows it comes up straightaway.

Review of the Knitting & Stitching Show, Alexandra Palace, 2012

Now the dust has settled from my week in London I will show you some of the highlights of the 62 Group ‘Package Tour’ stand at Alexandra Palace. My favourite has to be Audrey Walker’s ‘Still Life’ a simple still life featuring a gin bottle. A masterful use of a simple straight stitch. The piece reminds me of what I was taught at Goldsmiths by Constance Howard in the 1970s which is that we stitchers don’t need to know hundreds of stitches we just need to use the ones we do know well. See my full review of the show at : http://www.textileartist.org/review-of-the-knitting-stitching-show-alexandra-palace-2012/

Two more highlights for me which show the diversity of the group are Heather Belcher’s felt ‘Blanket’ and Helen Weston’s ‘Chink in the Armour’ which are also shown below.


 

Link

Some Things never Change

The Knitting and Stitching Show is nearly upon us and I shall be travelling to London for the first show at Alexandra Palace next week. I am helping to install the 62 Group of Textile Artists’ ‘Package Tour’ exhibition and will also be on our Stand TGJ3 on Thursday afternoon.

My work ‘Some Things never Change’ can be seen in the exhibition. For more information about this work click on the “Some Things Never Change’ link above.

I am looking forward to seeing how fellow members of the group have risen to the challenge of fitting their work within a box of a set size. As I usually present my own work on a stretcher and sometimes frame it I decided to make my work as a hanging and roll it up to make it fit into the box.

It will be great to meet lots of new people at the show and there will be the opportunity to buy the 62 Group book, RADICAL THREAD, on the stand at a special Knitting and Stitching Show promotional price of £15 which is a saving of £4.50 on the recommended retail price. The book which celebrates our 50th Anniversary, is a great read.

Image

Paint • Stitch • in progress 2

In the early morning listening to Radio 4 the news all seems to be bad. My most recent piece is called Some things never change. The need to make this work was triggered by an interview with a mother telling the reporter of the fate of her children aged 12,10 and 5 , killed by mortar fire in a war that was not hers. As a mother myself the interview deeply affected me. I have never been a particularly political person but I feel the need to speak out, in my own way, about the victims of these senseless conflicts. Born in 1913 my Dad was a child of the 1st World war, the so called the war to end war and I have used his image, along that of his siblings, as a mechanism to portray the plight of children still caught up in war in 2012. Thousands of kisses cover a concrete pillar for those who will never receive them. The images are of the work in progress.



62@50

The 62 Group of Textile Artists, of which I am an exhibiting member, celebrate their 50th anniversary this year. Their largest exhibition of this celebratory year, 62 @50 opens tomorrow at the Holden Gallery in Manchester with the majority of the exhibiting members represented. I have had three pieces selected for the show and am looking forward with anticipation to seeing what other members have produced when I visit the gallery later this week. I am also looking forward to meeting visitors to the exhibition on 2nd and 3rd August when I will be stewarding. Find more information about this exhibition and my work for the show on my website : www.womanwithafish.com

one 3 pieces selected for 62@50

Stitch • Paint • In Progress

 I decided I was getting a bit set in my way of working and becoming a bit formulaic! 

Time to experiment and take a slightly different direction. More of a development than a radical change but nevertheless a new challenge.

I have worked in mixed media before with varying degrees of success using photography and stitch and also weaving and stitch but this time I am combining paint with stitch.

Stitch is still very much the dominant discipline but in my new pieces, the paint , whilst bringing a new dimension is fully integrated with the stitch.

Looking for Lace in Bruges

Apostelientje

Balstraat11. 8000, Brugge

On a recent trip to Bruges I came across this fascinating gem of a lace shop tucked away in the Saint Anne quarter, behind the church.The shop has its own special way of displaying its stock which goes to create a unique atmosphere.
Selling only hand made lace it is packed full of an eclectic mix of beautiful lace, both antique and contemporary. They also sell lace making materials of all kinds, cotton, linen,silk, bobbins, and embroidery patterns and can provide expert knowledge of there wares.
If you are in Bruges and want to see some good quality hand made lace, do go to this shop. It’s well worth a visit.

Interventions Exhibition, Platt Hall Manchester

On a dull, drizzly day in February I visited  Interventions,the first exhibition of the 62 group’s 50th Anniversary year at Platt Hall, Manchester which runs until 19 May 2012.
The Gallery of Costume is housed in an imposing Grade 2* Georgian building set within
Platt Fields Park and I was looking forward to seeing how other members had responded to the Museum’s Collection. 
26 members of the group are represented in the exhibition and the work shown covers the 
whole gamut of disciplines. 
The main exhibition space is small but beautifully curated. The contrasting styles of work 
sit well together and give a glimpse into the ethos of the group.

The juxtaposition of Jeanette Appleton’s Dressed to Dine, a beautiful life size felted china 

collection, the contrast of hard and soft reminiscent of the work of Claus Oldenberg, and the cast concrete of Ann Goddard’s impressive piece Secret Support ( Extra Firm Hold) was sublime. 

images below : top : Jeanette Appleton : Dressed to Dine/ bottom: Ann Goddard ; Secret Support (extra firm hold)


Quite a few members used construction: of cloth, of paper patterns, of garments, of lace and of undergarments, as a starting point for their work whilst others found inspiration in the Museum’s Accessories Collection. Boots & shoes, hats, baby bonnets, bags, parasols, and neckties were all represented as was the Museum’s fascinating Button collection. 
A number of members used collected and/ or recycled clothing to give a more personal 
and autobiographical response. 
All in all I thought it was a great start to the year for the group.

Don’t forget you can buy the new 62 Group book RADICAL THREAD which showcases and celebrates 50 years of the group at www.62group.org

62 Group of Textile Artists 50th Anniversary Year

Well the new year has started with a bang and the first 62 group exhibition of this, our 50th 

anniversary year starts on 11 January at the Gallery of Costume, Platt Hall, Rusholme, 

Manchester M14 5LL.


My new work A Lot can Happen in 50 Years (image below) can be seen in the exhibition which 

runs until 19 May 2012. More information about this work can be found on my website.

The new year also sees the publication of the new 62 Group book 

RADICAL THREAD • see a preview of the book • order the book




Thanks to Tilleke Schwarz I am now organised!

During her recent visit to Grimsby for the 7 Strands Textile Symposium I had a conversation with Tilleke Schwarz about a photograph I had seen of her studio with all her threads neatly arranged in colours in separate boxes. I asked her how she had the patience to wind them all onto bobbins and she replied that she does them whilst watching the television and even though I am rather impatient when doing that sort of boring job I did think I should maybe do the same.

When I told her that my threads were jumbled up in polythene bags she seemed horrified so I resolved to get on and get organised. It did seem to be a huge task when I looked at the number of threads I seem to have accumulated but I have managed to motivate myself to do it and even though I have not yet finished the task yet I am very pleased with the result.
Here are 3 of the 8 boxes I have done so far .I’ll probably need to rearrange them when I have done them all but I am getting there!

I bought my boxes from Barnyarns of Ripon and I they were very inexpensive but they do the job perfectly. I would highly recommend doing this as I can now find the exact colour I want to use.I don’t use the thread numbers to organise them but just do them in colours by eye which is how I use them.
Barnyarns website
 

Tilleke has just won 3rd prize in The Hague (NL) Summer expo at Gemeentemuseum for her piece entitled Purr Chase. This is a major show akin to our own Royal Academy Summer show 250 works of art (all techniques) were selected out of 5000 applications so my congratulations go to Tilleke for that.